The museum everyone calls MALI occupies Italian architect Antonio Leonardi’s neo-classical pile and since the 1960s has showcased some 1200 exemplary objects from a collection of more than seventeen thousand Peruvian treasures. Galleries cover all periods, from Inca days to the present, on an aesthetic journey that calls up lots of national history, especially in ceramics, textile, and furnishings. The landmark downtown location makes it a prime jumping-off-point to further urban explorations.
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Museo de Arte de Lima (MALI)
The museum everyone calls MALI occupies Italian architect Antonio Leonardi’s neo-classical pile and since the 1960s has showcased some 1200 exemplary objects from a collection of more than seventeen thousand Peruvian treasures. Galleries cover all periods, from Inca days to the present, on an aesthetic journey that calls up lots of national history, especially in ceramics, textile, and furnishings. The landmark downtown location makes it a prime jumping-off-point to further urban explorations.
