The Best Hotels in New Orleans

In 2016, Ace added another link to its chain of ultracool hotels when it opened an outpost in a renovated 1928 building in the Central Business District of New Orleans. While the Ace employees here are just as edgy as their counterparts elsewhere, they temper that cool with the warm ease of New Orleans’s locals.

Guests enter the hotel through a lobby of mismatched low-slung sofas and vintage coffee tables set in conversation-friendly groupings beside a lovely and ornate wooden bar. Most of the furnishings and artwork complement the hotel’s dominant forest green hue, which itself seems to have been inspired by the color of the streetcars that trundle past on Carondelet Street. Afternoon and evening and late at night, the lobby bar is kept busy by hotel guests as well as a stream of others drawn here by the stylish vibe.

This English-inspired hotel has been the place to stay in New Orleans for basically forever—well, since it opened in 1984, at least. It’s plush without being pompous, stately without being too serious, though it should be said that this is the kind of place where gents might wear a pocket square and watch fob and feel right at home. The $8 million art collection, which includes original works by Reynolds, Gainsborough, and Huysman, is museum-worthy (you can even take an audio tour), and the 4,500-square-foot spa, part of the 2012 $22 million renovation, is one of the city’s most luxurious. Other notable upgrades include the lobby cocktail bar—a more feminine alternative to the leather-clad Polo Club Lounge, and an outdoor pool.

This family-run hotel, originally opened in 1886, is steeped in history from its classic furnishings to its esteemed guests. Literary legends William Faulkner and Ernest Hemingway have stayed here; Tennessee Williams wrote about the hotel in his play The Rose Tattoo, and Truman Capote was known to prop up the Carousel Bar & Lounge on many a night. The merry-go-round–like bar (which makes a complete revolution every 15 minutes) is probably the hotel’s most famous feature, and a Vieux Carre cocktail there is de rigueur. Guests will also want to visit on-site restaurant Criollo, which offers an updated take on traditional N’awlins fare.

First opened in 2004 in a former office building in the Central Business District, the Loews New Orleans Hotel completed a $4 million renovation in November 2014. The new look is modern, but with a nod to the Big Easy: rooms and suites (which, by the way, are among the most spacious in town) are done up in soothing blues and grays, and feature local photography on the walls, and the carpets have a wrought-iron fence motif. Large picture windows afford vistas of the city or the Mississippi River.

Run by the legendary Brennan family and named after the vivacious Adelaide Brennan, the hotel restaurant also got a makeover—think canary-yellow seats, teal tufted banquettes, and Andy Warhol–esque pop art of its namesake.

Opened in April 2001, this Central Business District property, a converted dry-goods warehouse, is a departure from the typical New Orleans hotel. Instead of fleur-de-lis wallpaper and Louis XIV chairs, you’ll find Fortuny lamps, Herman Miller desk chairs, and Agape “Spoon” tubs in the palatial bathrooms. The 18 lofts (two are penthouses), with their white walls, concrete floors, and modern furnishings, feel straight out of the pages of Dwell.

The hotel doesn’t have the amenities of a larger hotel; the lobby is meant for checking in, not hanging out, and there’s no restaurant or bar to prop up, but guests have privileges at the sister hotel, International House. And, most significantly, the fact that there are just 18 rooms means that from the minute you check in, the front desk team knows you.

Opened in April 2015, this is one of the newest additions to New Orleans’ hotel scene. It’s also one of the most unique. Set in an 1854 warehouse near the Port of New Orleans, the property pays homage to its past as well as to its Arts District location. The look is contemporary industrial, with plenty of original architectural details (hardwood floors, exposed piping and brick, wall-to-wall windows) paired with Tivoli radios, flat-screen TVs, free Wi-Fi, and other modern conveniences. The hotel lobby is part art gallery, with a rotating collection curated by the New Orleans Center of Creative Arts, part commissary, with locally crafted products displayed in chandlery cases, and part coffee shop, with pastries from the neighboring restaurant—which is one of the hottest openings this year.

Compere Lapin (French for “brother rabbit” and also a fictional character in Caribbean and Creole folk tales) serves food that draws on chef Nina Compton’s island roots, classic French training, and traditional Creole fare. The result is wonderfully colorful dishes like conch croquettes with pickled pineapple tartare sauce, roasted jerk corn with aioli and lime, and curried goat with plantain gnocchi and cashews.

Occupying what were the Maison Blanche department store and the S.H. Kress & Co. five-and-dime, this stately hotel first opened its doors in 2000 after a $250 million overhaul of the then-shuttered Beaux-Arts buildings. After Katrina, the property underwent a second renovation, which included the expansion of its spa (now a sprawling 25,000 square feet) and the addition of a private entrance for Club level guests.

This is a Ritz-Carlton, so you can expect the same (high) level of service and luxury—think ornate furnishings, sumptuous linens, and a $3.5 million art collection—as at other properties within the brand. But the property isn’t just another Ritz. Bellmen wear seersucker, the bistro serves po’ boys, and there’s live jazz in the lounge (which also serves a mean Vesper).

A trio of 1830s townhouses, Soniat House exudes an Old World elegance, from its wrought iron balconies to its white-jacketed porters. Rooms and suites have just the right amount of character so that they feel of an era without being precious or overly frilly. The hotel renovated all of its bathrooms and some guest rooms, and there are flat-screen televisions, Wi-Fi, and other modern conveniences—but the point here is really to take a step back, put your gadgets away, and enjoy the leafy courtyard. It’s the kind of place where you feel you ought to be wearing a frock and a fascinator (for ladies) or seersucker (for the gents), where time slows and an afternoon cocktail feels very appropriate. Luckily, there’s an honor bar on the first floor next to reception. Pour yourself a stiff drink and take it up to the veranda, where you might catch a ghost tour in progress or just take in the street scene.

First opened in 1893 as Grunewald Hotel, this historic building stretches an entire city block and has a storied past that’s equally expansive. The Roosevelt has played host to presidents and senators, duchesses and dignitaries, actors and actresses. Huey Long kept a suite here in the 1930s and could often be found propped up at the Sazerac Bar (where his go-to cocktail was the Ramos Gin Fizz). Entertainers from Ella Fitzgerald and Frank Sinatra to Tina Turner and Ray Charles have performed in the Blue Room.

A $145 million rehab, completed in 2009, restored the hotel to its former glory. Now part of the Waldorf Astoria Collection, the property combines the grandeur of yesteryear with all the trappings of a modern luxury hotel—including a lavish Waldorf Astoria Spa and a hip Italian eatery.

Opened in January 2012 in the historic Audubon Building on Canal Street, this cheeky newcomer is a departure from the New Orleans hotel scene (which tends toward the traditional). Its motto, “Play Naughty, Sleep Saintly,” appropriately captures the property’s saucy, sultry vibe, especially in the bordello-like Burgundy Bar and in the five suites, added in 2014 and named after the archangels Christopher, Michael, Gabriel, Raphael, and Lucifer. By comparison, the restaurant, with its white walls and banquettes paired with antique chandeliers and local artwork, is more demure. Standard rooms are similarly minimalist—though without sacrificing comfort or any of the usual modern conveniences, including 46-inch flat-screen televisions and free Wi-Fi.

Previously known as the Hotel de la Poste, the 97-room property transitioned to the W French Quarter in 2000 and has since undergone a $9-million overhaul. The newly redesigned rooms channel the city’s jazz and voodoo culture, while the new bar and restaurant, SoBou, serves modern Creole fare and has an excellent cocktail program run by Laura Bellucci. Another addition with the renovation, which was completed in 2012, is the FIT gym, open to guests 24 hours a day.

Of course, one of the hotel’s main selling points is its central location on charming Chartres Street, which is lined with antique shops, art galleries, vintage book stores, and the like. And should you want a quiet corner to while away the afternoon, the hotel’s outdoor courtyard is the perfect place to do so.

Why we love it: Atelier Ace’s first luxury property in New Orleans, with antiques and other unique design details to lust after

The Highlights:
- The guests-only library bar, hidden behind a bookcase at Bar Marilou
- Colorful marble floors in the bathrooms
- High-end service, but plenty of privacy when you want it

The Review:
Atelier Ace partnered with Pamela Shamshiri of L.A.-based Studio Shamshiri to design this 67-room property, which opened in April 2019 in an old City Hall annex in the Central Business District. Shamshiri decorated the distinctive guest house with a mix of antiques she collected from around the world, plus custom art and design elements like colorful marble floors, French wallpaper, and vintage-inspired glass light fixtures. Keep an eye out for a reoccurring snake motif throughout the hotel, from sculptural snake shower-door handles in the bathrooms to cobra lamps in the hallways and slithering ceramic elements in the fireplace of the lobby lounge. It’s a little bit Garden of Eden with a hint of the occult, making you feel as if you’ve checked into the private home of an elderly socialite—maybe Iris Apfel—that’s filled to the brim with fabulous souvenirs from her worldly travels over the years.

Maison de Luz is located just across the street from the Ace Hotel New Orleans and guests are encouraged to pop over to the sister property to enjoy the rooftop pool or grab a crawfish roll at Seaworthy. Back at Maison, however, the common areas—including a hidden library bar—are just for overnight guests, creating the feeling of a calm refuge within the city.

Why we love it: A boutique stay in Faubourg Marigny that’s full of history, character, and style

The Highlights:
- High design mixed with historic details
- A restaurant from a James Beard–nominated team
- Character-filled common spaces like the parlors and sun room

The Review:
Located in New Orleans’s culturally rich Faubourg Marigny neighborhood, the 71-room Hotel Peter and Paul comprises a historic church, rectory, schoolhouse, and convent, all built in the 19th century. When converting the site, local resident Nathalie Jordi and New York–based interior design firm ASH NYC took pains to preserve original features like cypress wood moldings, stained glass windows, and marble fireplaces, while adding signature details like antique chandeliers and custom rugs handmade in India. As a result, each guestroom has a personality all its own, evident in touches like canopy beds, Italian linens, and trays of locally sourced snacks.

That love for local eats extends to The Elysian Bar, where the team behind James Beard–nominated wine bar Bacchanal serves regionally focused fare like roasted Gulf shrimp and braised beef short ribs, and Sundae Best, which offers small-batch ice cream made with seasonal, locally sourced ingredients. Also on site is a cheery cafe for coffee and pastries; two grand parlors for reading the paper in a vintage rattan chair; a sun room modeled after Claude Monet’s Giverny home; an amber-hued bar serving low-proof spritzes for aperitivo hour; and a tranquil brick courtyard lined with palms, ferns, and vines. More impressive still is the decommissioned Catholic church, designed by famous New Orleans architect Henry Howard. Here, the hotel hosts a mix of private and public events, from weekly concerts to yoga and floral design classes.